FELIX KRIEGER
FELIX KRIEGER
About
Felix Krieger has made a name for himself as one of the most exciting and versatile German conductors of his generation thanks to several highly acclaimed performances in Berlin´s Konzerthaus. He has started his carreer aged 22 in 1996, when Claudio Abbado named him his assistant conductor at the Berlin Philharmonic Orchestra for a 2-years-term. Since than Krieger has conducted maior orchestras in concert, opera and ballet all over the world.
Since 2010 he is artistic director and principal conductor Berliner Operngruppe, together with whom he has given enthusiastically received performances in Konzerthaus Berlin, including the Berlin premieres of Verdi´s Stiffelio, Puccini´s Edgar or Mascagni´s Iris. In September 2021 he has conducted the German Premiere of Donizett´s Deux Hommes et une femme and most recently in June 2022 a double bill with Mascagni´s Zanetto and Wolf-Ferrari´s Il segreto di Susanna. In May 2023 Krieger will lead the worldpremiere of Donizetti´s Dalinda in Konzerthaus Berlin.
A live-recording of Iris was released by Oehms Classics in March 2021. With this album he got nominated for the prestiguos OPUS KLASSIK AWARD 2021 in the categories “conductor of the year” and “opera recording of the year (19. Century)” as well as for the “Bestenliste der Deutschen Schallplattenkritik” and for the International Classical Music Awards 2022 (ICMA).
Born in Freiburg, Felix Krieger studied conducting, piano and music theory at the Hochschule für Musik und Theater Hamburg, completing his studies with Carlo Maria Giulini at the Scuola di Musica di Fiesole in Italy. As assistant conductor he has collaborated with Claudio Abbado, Daniele Gatti, Michael Gielen, Philippe Jordan and Seiji Ozawa and has worked for the Salzburg Festival (Wozzeck/Abbado), for the Staatsoper Berlin (Falstaff/Abbado) and for the Bayreuth Festival (Parsifal/Gatti).
He is a regular guest conductor at major international opera houses, such as the Staatsoper Berlin, Semperoper Dresden, the Opéra National de Paris and the Teatro Comunale di Bologna and has conducted many internationally renowned orchestras, including the BBC Scottish Symphony Orchestra, the Deutsche Symphonie-Orchester Berlin, the Staatskapelle Berlin, the Enescu Philharmonic Bukarest, the Staatskapelle Dresden, the London Sinfonietta, the Münchener Rundfunkorchester, the Orchestre de l’Opéra National de Paris, the Stuttgarter Kammerorchester, the Bach Collegium Stuttgart / Gächinger Kantorei, the Shanghai Symphony Orchestra and the SWR Sinfonieorchester Baden-Baden und Freiburg.
On the Shanghai Spring Music Festival in 2002 he conducted leading musicians of the Chicago Symphony Orchestra on their first-ever trip to China in cooperation with the Shanghai Symphony Orchestra with Mozarts Jupiter-Symphony and Brahms 1. Symphony.
Felix Krieger was musicdirector of the Projeto Musica Orquestral Alemã from 2011-2012, conducting several symphonic concerts of the major German orchestral repertoire from the Baroque, Classical and Romantic periods to the 20th century in and around São Paulo. Also in São Paulo, as a regular conductor of Camerata Aberta, he has given numerous South American premieres of works by major composers such as Stockhausen, Henze, Rihm or Kagel.
Following early engagements in the opera houses of Kassel and Bielefeld, in which he conducted a diverse repertoire (including performances of Cosi fan tutte, Hänsel und Gretel, Il Trovatore, La Cenerentola, Lucia di Lammermoor, Lustige Witwe, Otello, Rusalka, Werther, Zauberflöte and Coppélia), Krieger conducted a successful debut in 2003 with Schumann’s 2nd symphony at the Staatsoper Berlin and was immediately reinvited to conduct Tschaikovsky´s Swan Lake. Since then, he has led the Staatskapelle Berlin on numerous occasions including the premieres of Viktor Ullmann’s Der Kaiser von Atlantis (2012/13), Marc Neikrug’s Through Roses (2013/14) and Stephen Oliver’s Mario and the Magnician (2015/16).
Krieger has been a regular guest conductor at the Teatro Comunale di Bologna. His world premiere of Scannavini’s La Doppia Notte – Aida und Tristan (2013) was followed by new productions of Tchaikovsky’s Swan Lake (2014), Stravinsky’s The Rite of Spring (2015), and De Falla’s El Amor Brujo with La Fura dels Baus (2017).
In recent years, he has made successful debuts conducting new productions at the Opéra National de Paris (César Franck’s Psyché, 2014), at the Teatro Verdi in Triest (Mozart´s Il re pastore, 2014), at Teatro Carlo Felice in Genoa (Lehar´s Die lustige Witwe, 2015) and at Theater Lübeck (Mozart’s Cosi fan tutte, 2016). In 2018 he has made his debut with Mozart’s Die Zauberflöte at the Semperoper Dresden and has conducted new productions of Verdi’s Don Carlos at the Daegu International Opera Festival in South Korea (2018), the Mexican premiere of Verdi’s Stiffelio at the Opera Bellas Artes in Mexico City (2018) and Mozart´s La Clemenza di Tito in São Paulo (2019).
In the upcoming season 2022/2023 Krieger will conduct new productions of Nicolai´s Die lustigen Weiber von Windsor at Brandenburger Theater (in cooperation with the Chorus of Berliner Operngruppe), R. Strauss` Ariadne auf Naxos in São Paulo and the worldpremiere of Donizetti´s recently rediscovered Dalinda with Berliner Operngruppe in Konzerthaus Berlin.
On the Sony Classical label he has recorded the album The Art of Ensemble, works by the Spanish composer Benet Casablancas (*1956) with the London Sinfonietta. The CD was released in 2018.
Felix Krieger has also recently come into the public eye as a composer. His work for large ensemble, Cantus I – Zwischen den Welten (2015), was successfully premiered at the 49th Festival Musica Nova Gilberto Mendes in Brasil in 2015. Here, too, the first performance of Cantus II – “…durch alle Lüfte bricht“ (2017) was given in Autumn 2017 as well as his Duo for Flauto Alto and Doublebass Oh Luft, Du edles Element, führ´hin mein Liedlein behend` (2020). In November 2021, he has conducted the ensemble unitedberlin in the world premiere of his Cantus III – Íthymbos (2020) in Konzerthaus Berlin.
News
NEW: Works by Felix Krieger published at UNIVERSAL EDITION Wien
In July 2023 Felix Krieger has been accepted as a composer by Universal Edition Wien. First works have already been published, others will follow soon: https://www.universaledition.com/felix-krieger-8482
Information and reviews of the DALINDA world premiere
On May 14, 2023, the Berliner Operngruppe, under the direction of Felix Krieger, performed the highly acclaimed world premiere of Donizetti's DALINDA at the Konzerthaus Berlin: Information from Ricordi Publishing on Dalinda:...
WORLDPREMIERE of Donizetti´s DALINDA in May 2023
SAVE THE DATE: On May 14th 2023, Felix Krieger will conduct the world premiere of Donizetti's DALINDA at Konzerthaus Berlin. DALINDA was to be premiered at the Teatro San Carlo in Naples in 1838, but was banned by the censors before the premiere. After that, the opera...
Broadcast on Deutschlandfunk Kultur
On July 2nd 2022 Deutschlandfunk Kultur streams the performance of Berliner Operngruppe under Felix Krieger from Konzerthaus Berlin. On the program: Mascagni´s ZANETTO and Wolf Ferrari´s IL SEGRETO DI SUSANNA. With Narine Jeghiyan (Silvia/Zanetto), Yajie Zhang...
Streaming DEUX HOMMES ET UNE FEMME on CueTV
From January 18th 2022 until January 25th 2022 Donizetti´s DEUX HOMMES ET UNE FEMME with Berliner Operngruppe under Felix Krieger will be streamed on CueTV. Watch here: link
Nomination for International Classical Music Awards 2022
The IRIS album has been nominated for International Classical Music Awards 2022: Link
World premiere in Konzerthaus Berlin
Felix Krieger will conduct the ensemble unitedberlin with his own works for chamberensemble in Konzerthaus Berlin on the 2nd of November 2021. Cantus I - Zwischen den Welten (2015) and Cantus II - "...durch alle Lüfte bricht" (2017) will be a German premiere, the last...
Nomination for the Quartely Critic´s Choice 3/2021
The IRIS album has been nominated for the Quartely Critic´s Choice (Bestenliste der Deutschen Schallplattenkritik 3/2021): Link
Nomination “conductor of the year” , OPUS KLASSIK AWARD 2021
OPUS KLASSIK AWARD 2021: For his album IRIS (Oehms Classics) Felix Krieger got nominated in the category "Conductor of the year" and the category "Opera recording of the year (19. century)". http://www.opusklassik.de
New album reviews
(...) Den Kollektiven der Operngruppe unter Leitung von Felix Krieger kann man eine hohe Qualitätsstabilität bestätigen. Mit dem hohen Grundniveau des Orchesters lässt sich das Format ohne Weiteres als ernstzunehmende Fortsetzung der konzertanten Produktionen an der...
News
NEW: Works by Felix Krieger published at UNIVERSAL EDITION Wien
In July 2023 Felix Krieger has been accepted as a composer by Universal Edition Wien. First works have already been published, others will follow soon: https://www.universaledition.com/felix-krieger-8482
Information and reviews of the DALINDA world premiere
On May 14, 2023, the Berliner Operngruppe, under the direction of Felix Krieger, performed the highly acclaimed world premiere of Donizetti's DALINDA at the Konzerthaus Berlin: Information from Ricordi Publishing on Dalinda:...
WORLDPREMIERE of Donizetti´s DALINDA in May 2023
SAVE THE DATE: On May 14th 2023, Felix Krieger will conduct the world premiere of Donizetti's DALINDA at Konzerthaus Berlin. DALINDA was to be premiered at the Teatro San Carlo in Naples in 1838, but was banned by the censors before the premiere. After that, the opera...
Broadcast on Deutschlandfunk Kultur
On July 2nd 2022 Deutschlandfunk Kultur streams the performance of Berliner Operngruppe under Felix Krieger from Konzerthaus Berlin. On the program: Mascagni´s ZANETTO and Wolf Ferrari´s IL SEGRETO DI SUSANNA. With Narine Jeghiyan (Silvia/Zanetto), Yajie Zhang...
Streaming DEUX HOMMES ET UNE FEMME on CueTV
From January 18th 2022 until January 25th 2022 Donizetti´s DEUX HOMMES ET UNE FEMME with Berliner Operngruppe under Felix Krieger will be streamed on CueTV. Watch here: link
Nomination for International Classical Music Awards 2022
The IRIS album has been nominated for International Classical Music Awards 2022: Link
World premiere in Konzerthaus Berlin
Felix Krieger will conduct the ensemble unitedberlin with his own works for chamberensemble in Konzerthaus Berlin on the 2nd of November 2021. Cantus I - Zwischen den Welten (2015) and Cantus II - "...durch alle Lüfte bricht" (2017) will be a German premiere, the last...
Nomination for the Quartely Critic´s Choice 3/2021
The IRIS album has been nominated for the Quartely Critic´s Choice (Bestenliste der Deutschen Schallplattenkritik 3/2021): Link
Nomination “conductor of the year” , OPUS KLASSIK AWARD 2021
OPUS KLASSIK AWARD 2021: For his album IRIS (Oehms Classics) Felix Krieger got nominated in the category "Conductor of the year" and the category "Opera recording of the year (19. century)". http://www.opusklassik.de
New album reviews
(...) Den Kollektiven der Operngruppe unter Leitung von Felix Krieger kann man eine hohe Qualitätsstabilität bestätigen. Mit dem hohen Grundniveau des Orchesters lässt sich das Format ohne Weiteres als ernstzunehmende Fortsetzung der konzertanten Produktionen an der...
Press
Press
“(…) Conductor Felix Krieger led an electrifying account of Ullmann´s score. A gripping performance.”
G. Donizetti: Dalinda (worldpremiere), Berliner Operngruppe, Konzerthaus Berlin, May 2023
“(…) The belated premiere of Dalinda in mid-May at the Konzerthaus Berlin: a sensation. (…) So much immediacy and emotion was rare. The audience is sheerly out of its mind. Standing ovations are rare in the Konzerthaus. Felix Krieger recommends himself for medium and large houses, as a German conductor he obviously has the unusual gift of bringing the intoxicating piccolo Italianità of Donizetti and Co. to life. An extraordinary evening. ”
Arno Lücker/Opernwelt July 2023
“(…) The bar cannot be high enough: The Berliner Operngruppe and its noble ensemble delivered a stellar hour on May 14 and in the title role an exceptional voice that ambitious stages should be clamoring for: Lidia Fridman. (…)
The miracle of the “Dalinda” evening is that the others do not fall behind this top performance, but increase the excellent level honestly and of high quality, inspire, enthuse. The today rather rare jubilant hurricanes were not an influencer party among friends, but also a defensive initiative against the emotional heat loss and the resource ignorance of many opera houses. In the Berliner Operngruppe, vocal sport and emotions generate an impulsive density of friction.
(… ) With the Berliner Operngruppe, the much-maligned and much-loved score has not a single slack bar; everything develops free of naivety in lyrical-dramatic grandeur that exploits the melodrama with relish without remorse: Congenially involved in this stellar hour are the super-chorus expertly led by Steffen Schubert as well as Dalinda’s lackeys and poison victims acting with elegant fervor (…)”
Roland H. Dippel/Neue Musikzeitung
“(…) In the meantime the group around Felix Krieger is so established that they got the chance from the publisher to do the probably last premiere of a Donizetti opera. (…)
First-class cast, first-class singing (…)
Chapeau and Bravo! (…)
Again a great success for the Berlin opera group, fortunately recorded it remains to hope that the recording will be released as an album.”
Manuel Brug / MDR Klassik
“(…) A coup, realized magnificently beyond expectation (…).
Mad cheers from the bel canto fetishists, to which I will probably also belong(…)”
Kai Lührs-Kaiser/Deutschlandradio
“(…) Do we have to know all this in order to enjoy the frenetically cheered evening? No, Donizetti digs above all into the depths of the mother-son relationship. Mid-twenties Lidia Fridman in the title role is already Donizetti experienced, knows that it pays to think of the end at the beginning of a phrase, so that arrival is also guaranteed.
And then the most pleasing thing for me: when there are passages in which the sonorous bass baritone seems to drag with the tempo, conductor Felix Krieger nestles in without a problem – this is not someone who conducts instrumental music over the heads of the singers, as we often experience in opera houses as well (…)” Harald Asel/RBB Inforadio
“(…) Conclusion: the fiercely acclaimed evening was once again proof that rousing opera evenings are carried by great voices full of character and a passionate artistic director who joyfully animates all participants. We are already looking forward to what we hope will soon be a CD release.”
Dr. Ingbert Waltenberger / Online Merker
R. Strauss: Ariadne auf Naxos, Theatro São Pedro/ São Paulo, November 2022
” Musically directed by Felix Krieger, the spectacle was splendorous.”
Márvio Dos Anjos , O Globo
“(…) Excellent work was done by German conductor Felix Krieger at the head of the Orquesta do Theatro São Pedro. Under his leadership, the music flowed with the delicacy typical of this work, with precision, with clarity. One heard all the solos (always very well executed), very well marked the instrumental and melodic contrasts created by Strauss between Zerbinetta’s company and the Composer or the tragic singers. Attention for the singers, no one covered and the tempo was fluid (…) May he always come back!”
Fabiana Crepaldi/L´Ape musicale
Otto Nicolai: Die lustigen Weiber von Windsor, Brandenburger Theater, September 2022
“(…) Felix Krieger conducted the audibly playful Brandenburg Symphony Orchestra in the pit with verve (…) And besides beautiful costumes (…) the great choir of the Berliner Operngruppe also knew how to please (…)” Märkische Allgemeine Zeitung
P. Mascagni: Zanetto & E. Wolf-Ferrari: Il segreto di Susanna. Berliner Operngruppe, Konzerthaus Berlin, June 2022
(…) Once again the best forces were bundled by conductor Felix Krieger to bring the lost treasures over the ramp (…) Standing ovation.
Eleonore Büning, Der Tagesspiegel
(…) The waves of love as well as of music swing wonderfully balanced through the hall, with perfect Italianità this sketchy, melodically blossoming singing inspires. Short, sharp, spirited from the rhythmically piquant overture on, the mood changes after the intermission to the always pleasurable farce “Il Segreto die Susanna” by the German-Italian Ermanno Wolf-Ferrari, who is unjustly heard only so rarely (…). …) This farce rolls virtuously towards its conciliatory end, conductor as well as orchestra, with which na even recognizes many a philharmonic on opera paths, make physical as well as instrumental leaps, have the tonally balanced hip swing on it. This one-act pas-de-deux thus dances extremely entertainingly in the Konzerthaus Kür. After so much Wagnerian nonsense and Mozartian wasteland in Berlin, a real relief. (…)
Manuel Brug, Brug’s Klassiker
(…) But what would the evening have been without Felix Krieger at the conductor’s podium, who knew how to lead his obviously highly motivated, highly professional orchestra equally confidently, inspired and inspiring, through the veristic color opulence as well as through the cheerful transparency of the comedy (…)
Ingrid Wanja, Operalounge
IRIS Album reviews, Oehms Classics 2021
(…) Den Kollektiven der Operngruppe unter Leitung von Felix Krieger kann man eine hohe Qualitätsstabilität bestätigen. Mit dem hohen Grundniveau des Orchesters lässt sich das Format ohne Weiteres als ernstzunehmende Fortsetzung der konzertanten Produktionen an der Deutschen Oper Berlin unter Götz Friedrich würdigen. Krieger hat eine glückliche Hand für die engagierten Mitwirkenden und das Können für deren bevorzugte Werkgruppe weniger bekannter italienischer Opern (…) Ähnliche Glücksmomente vernahm man bei der Berliner Operngruppe auch in einer packenden Giovanna d’Arco (2018) oder bei Puccinis Edgar in der Fassung für Buenos Aires (2019). Die Spree-Opernfamilie delektiert sich also jedes Jahr zu Recht an den melodramatischen Filetstücken. Roland Dippel in der Zeitschrift Das Orchester, September 2021
https://dasorchester.de/artikel/iris/
(…) Der Leiter der Berliner Operngruppe geht seine Rehabilitierung mit der vollen Verve eines Überzeugungstäters an, der seinen Mascagni keineswegs in verniedlichenden Anführungsstrichen als bloßen Wegbereiter von Puccinis Meisterwerk dirigiert. Krieger zeichnet den Sonnenaufgang des Vorspiels und die unschuldige Naturverzücktheit des Mädchens Iris, das seinen blinden Vater pflegt, in feinen Linien nach, während er die filmisch packende Direktheit ihrer Entführung durch den reichen Lüstling Osaka und Kyoto, den Chef eines Geishahauses mit leuchtenden Farben ausmalt. Der Chor der Berliner Operngruppe singt dazu mit Überwältigungsfuror und erinnert so daran, dass Mascagni eben der legendäre Schöpfer des österlichen Auferstehungshymnus in Cavalleria rusticana ist. Das Orchester, angereichert um originale japanische Instrumente wie die Langhalslaute Shamisen, spielt die effektvollen Exotismen mit delikater Lust. Die sängerische Besetzung würde auch einer Madama Butterfly zum Erfolg verhelfen (…) Kurzum: eine lohnende Entdeckung. Peter Krause in der Opernwelt, Juli 2021
https://www.der-theaterverlag.de/opernwelt/aktuelles-heft/artikel/butterflys-schwester/
7.7.2021, Yvan Beuvard in Forum Opéra
https://www.forumopera.com/cd/iris-de-mascagni-jeunes-filles-mefiez-vous
https://www.rhinegold.co.uk/opera_now/opera-now-cd-choice-mascagnis-iris/
https://www.therestisnoise.com/2021/05/playlist.html
14.5.2021, Richard Bratby in Gramophone
https://www.gramophone.co.uk/review/mascagni-iris-krieger
10.5.2021, Bruno Tredicine in OperaClick
https://www.operaclick.com/recensioni/cd-dvd/iris-cd-oehms-classics
Mascagni’s Iris: a verismo gem (classicalexplorer.com)
(…) Krieger’s exhilarating conducting draws from both his singers and players some truly sublime performances, full of unbridled enthusiasm. The soloists in particular sing these unusual roles with an emotional ardour that is consistently moving. A beautiful live recording wholly recommended!
22.3.2021, Gerald Fenech in classicalmusicdaily
https://www.classicalmusicdaily.com/2021/03/iris.htm
(…) C’est l’occasion rêvée de recouvrir les richesses de ce chef-d’ouevre du genre, et de reconsidérer enfin Mascagni à sa juste valeur. 23.3.2021,Thierry Hillériteau in Le Figaro
https://www.lefigaro.fr/musique/mascagni-un-chef-d-oeuvre-en-cache-un-autre-20210324
(…) Im rauschhaften Sonnenhymnus, mit dem die geschändete und tödlich verletzte Iris ins Jenseits eingeht, wie auch in den Szenen des Geishahauses laufen Chor und Orchester unter Felix Krieger zur Bestform auf (…) Wie bei deren Aufführungen im Konzerthaus am Gendarmenmarkt Sicherheit, authentische Klangvorstellungen und liebevoll gestaltete Zwischentöne zusammenfallen, hört man in dieser beeindruckenden Aufnahme.
15.4.2021, Roland H. Dippel in Concerti
https://www.concerti.de/rezensionen/felix-krieger-mascagni-iris//
(…) Diese Einspielung von Pietro Mascagnis Oper IRIS gehört einfach in jede CD-Sammlung von Menschen, die Oper lieben und die sich vom Zauber und der Klangmalerei des musikalischen Verismo begeistern
lassen wollen (…) 11.4.2021, Detlev Obens in Das Opernmagazin
https://opernmagazin.de/berliner-operngruppe-cd-neueinspielung-von-mascagnis-oper-iris/
(…) Eindrucksvoll und höchst professionell Orchester und Chor, die es in dieser Qualität leicht mit den drei festen Berliner Opernhäusern aufnehmen könnten (…) Das Erscheinen dieser Aufführung auf CD muss man ausdrücklich begrüßen! 8.4.2021, Peter Sommeregger in klassik-begeistert
https://klassik-begeistert.de/cd-rezension-mascagnis-iris-klassik-begeistert-de/
(…) Aber die Berliner Aufnahme ist auch deshalb sehr empfehlenswert, weil Chor und Orchester der Berliner Operngruppe unter der sensiblen wie klanglich faszinierend aufgefächerten Leitung von Felix Krieger alle Vorzüge der Partitur genussreich vermittelt (…) Empfehlung!
24.3.2021, Dr. Ingobert Waltenberger im Online-Merker
https://onlinemerker.com/cd-pietro-mascagni-iris-live-mitschnitt-aus-dem-konzerthaus-berlin-vom-februar-2020-oehms-classics/
Eigentlich hätten bereits ihre Vorgänger verdient, was nun der vorerst letzten der Aufführungen der Berliner Operngruppe beschieden ist: die Verewigung auf zwei CDs mit Mascagnis Iris. (…)
Das Orchester zeichnet den Wechsel von der Nacht zum Tag gleich zu Beginn des Stücks bruchlos aus dem akustischen Dunkel aufbrechend und in ein immer reicher und raffinierter werdendes Farbspektrum nach, in nahtloser Steigerung und schönem An- und Abschwellen des Klangs sich entfaltend. Wunderbar werden im Verlauf der Oper die wechselnden Stimmungen erfasst, besonders das Vorspiel zu Iris‘ Arie im zweiten Akt, ihrer Vision vom Himmel, ist von großer atmosphärischer Dichte (…) 22.3.2021, Ingrid Wanja in Operalounge
http://operalounge.de/cd/oper-cd/mascagnis-butterfly
G. Donizetti: Deux Hommes et une femme, Berliner Operngruppe, Konzerthaus Berlin, September 2021
“(…) Up to the cabaletta of Rita’s opening aria, Krieger began leisurely and thus brilliantly structured with the golden-voiced string section and the winds providing more pastoral glow than ironic wit. Conductor and orchestra prepared for the three singers a little later up to the last vaudeville recapitulation the finely flattering underground (…) Opera can be so topical: Rita or Deux hommes et une femme offers, measured by the small arsenal of characters and the only one-hour duration, a very rewarding and wide field of indignation opposition for today. This reversal of all plot conventions of the operatic triangles of soprano, tenor and baritone, usually resolved by death and grief, is far more than an occasional piece compatible with many hygiene concepts. There was much rejoicing.(…)”
Roland Dippel in the magazine Das Orchester
(…) Again a real cultural “highlight”! If you look for recordings or on the internet, you will find a number of different TV-recordings and CD-recordings of the Rita (ital.) or recently also of the French original version of “Deux hommes et une femme”, but it is indeed no exaggeration if the experienced performance could be rated as outstanding in vocal-musical (as well as scenic) respect. We hope for a live recording! In any case, the audience of the Berlin evening was enthusiastic from the beginning and celebrated the trio of singers, the orchestra and the conductor accordingly – also the directing team! (…)
Olaf Brühl in Kultura-extra
But what would the evening be without the spiritus rector of the Berliner Operngruppe company Felix Krieger (…) He had again perfectly prepared the orchestra for the often perceived as thankless accompanist function in bel canto, led the singers safely through the evening and provided brio, elegance and esprit for pure delight. The special applause of the enthusiastic audience, who did not want to say goodbye to the so long missed art enjoyment, was also directed to him.
Ingrid Wanja in Der Opernfreund
(…) The orchestra of the Berliner Operngruppe under the animated and competent direction of Felix Krieger provided, as usual, top-class playing. He and his outstanding musicians took hold of the “strings” briskly and spiritedly, without therefore disregarding the many instrumental details and concertante subtleties of the lively bel canto score (…)
Dr. Ingobert Waltenberger in the Feuilletonscout
(…) Conductor Felix Krieger, artistic director of the meritorious opera group, creates a cheerful, joyful atmosphere already with the few bars of the prelude, which lasts throughout the hour-long performance. (…)
Peter Sommeregger in Klassik-begeistert
P. Mascagni: Iris, Berliner Operngruppe, Konzerthaus Berlin, February 2020
(…) Chorus and orchestra of the Berliner Operngruppe warm up quickly under the direction of Felix Krieger, already the introductory chorus succeeds excellently (…) Impressive and highly professional orchestra and chorus, which in this quality could easily take on the three permanent Berlin opera houses (…) Peter Sommeregger in the online Merker, klassik-begeistert
(…) This rarity, as strange as it is sensual, has now been very subtly polished up by Felix Krieger with his orchestra and choir.(…)
Manuel Brug in Die Welt
(…) Under the musical direction of Felix Krieger, the multifaceted score unfolds in the most dazzling way (…)
Jochen Rüth in Der Opernfreund
(…) Overwhelming was the impression made by the orchestra of the Berliner Operngruppe under Felix Krieger, who was able to brilliantly convey Mascagni’s multi-layered music with its shimmering string brilliance, the impressionistic-melancholic mood and the indulgent melos. (…)
Bernd Hoppe in Operalounge
Giuseppe Verdi: Stiffelio, Palacio Bellas Artes, Mexico-City, October 2018
Operaworld
G. Puccini: Edgar, Konzerthaus Berlin, February 2019
(…) The center and soul of this delightful opera evening was once again Felix Krieger, who led his orchestra through the evening as unpretentiously as effectively, conjuring up luxuriant Italianitá. (…)
Opera Lounge
(…) This variety of expression, the constant change from passionate sounds, to chorale-like and then again to songlike, dramatic or seductive ones, the orchestra of the Berliner Operngruppe under the direction of Felix Krieger mastered with bravura (…)
Das Opernmagazin
(…) Right at the beginning, it is especially noticeable how much fun the participants have in this project(…) Apart from the passion, this is also musically really great. Especially the Requiem at the beginning of the third movement succeeds Krieger and his ensemble wonderfully majestically (…)
Tagesspiegel
(…) He (Krieger) conducted Puccini’s EDGAR with great passion and precision through the emotional roller coaster of the opera. (…)
IOCO
(…) No wonder that many singers of the Berlin opera houses sit in the audience and cheer along. No wonder that the evenings of the Berlin opera group are becoming a must for more and more culture enthusiasts. And no wonder that by late summer at the latest, people are curiously waiting to see which opera gem this unique ensemble and Felix Krieger will snatch from half oblivion as winter approaches.
Kultur und Technik
G. Verdi: Giovanna d´Arco, Berliner Operngruppe, Konzerthaus Berlin, March 2018
Felix Krieger had the musical events sovereignly in hand, provided already in the Sinfonia for a differentiated sound picture from the somber tremolo of the strings to the pompous march theme. He led the singers securely, knew how to increase the ensembles effectively and to work out the four finales as appropriate climaxes (…) Great cheering at the end (…).
Operalounge
W. A. Mozart: La Clemenza di Tito, Theatro São Pedro, São Paulo, April 2019
Revista CONCERTO
Giuseppe Verdi: Don Carlo, 16. Daegu International Opera Festival, South Korea, September 2018
“(…) German conductor Felix Krieger created together with the DIOF- orchestra a dramatic picture of great vitality. (…)” Yonhapnews
M. de Falla: El Amor Brujo (Urfassung), Teatro Comunale di Bologna, February 2017
Classic Voice
G. Verdi: Stiffelio, Berliner Erstaufführung, Berliner Operngruppe, Konzerthaus Berlin, February 2017
kultura-extra
G. Donizetti: Betly, Berliner Operngruppe, Konzerthaus Berlin, November 2015
W. A. Mozart: Cosi fan tutte, Theater Lübeck, January 2016
“(…) Felix Krieger is an ingenious partner on the podium, who roughens up his Mozart in a crisp, bouncy and fresh manner and, with his soloists in daringly slow tempi of the arias, illuminates the question of truth and dissimulation on his part.
Die Welt
“(…) This delicate, vulnerable balance on stage would never come to such filigree and impressive effect were it not for Felix Krieger’s musical direction, which held all the strings so virtuously in its hands. The Philharmonic Orchestra of the Hanseatic City of Lübeck plays with terrific precision and clarity in all orchestral groups.(…)”
Opernnetz
(…) Already in the overture Felix Krieger conducts the conflict of confessional vows of loyalty and the love-technical fickleness briskly to the point. At the supposed farewell of the soldiers (‘Soave sia il vento’) he succeeds in creating an unearthly harmony that makes Mozart’s music timeless. (…)
NDR
(…) The evening gains additional tension because guest conductor Felix Krieger lets the small Philharmonic Orchestra feel the nerve of Mozart’s music. Rapid tempi are chosen and confessed, there is silky softness and hardness, seduction and bitch alarm – a psychological masterpiece also on this level (…)
Kieler Nachrichten
(…) Whoever fills these sforzati with emotion here and aggressively drives them forward there, as Felix Krieger does, creates atmosphere and the great arc of tension. The guest on the podium of the Lübeck Philharmonic reads the score with a clear eye, interprets its complexity, inspires the musicians to a historically slender tone. Under these circumstances, the orchestra is at its best. Already with this instrumental flexibility and at the same time unity, the performance in the Großes Haus is an event (…).
GüZ, Lübecker Stadtzeitung
F. Lehár: Die lustige Witwe, Teatro Carlo Felice di Genova, July 2015
Liguria Notizie
I. Strawinsky: Le Sacre du Printemps, Teatro Comunale di Bologna, March 2015
L´Ape musicale
W. A. Mozart: Il re pastore, Teatro Verdi di Trieste, October 2014
“(…) Felix Krieger led an orchestra in great form with taste and character, avoiding smears or disconnections but without losing sight of the narrative: tempos are quick without being hectic, the sound terse, the stage is pandered to with watchful but not servile attention. (…)”
Il discorso
(…) Felix Krieger, on the podium of an excellent Verdi Orchestra that confirmed itself as an excellent company, conducted with great attention to the needs of the singers but at the same time maintaining a certain interpretative vigor (…)
Operaclick
C. Franck: Psyché, Opéra National de Paris, June 2014
(…) The Choeur Accentus was remarkably luminous and intelligible and the Orchestre de l’Opéra particularly generous in its lyricism under the baton of Felix Krieger. A fine musical feast with very pleasing visuals to flatter all audiences.
Operacritiques
V. Ullmann: Der Kaiser von Atlantis, Staatsoper Berlin, January 2013
Deutschlandradio Kultur
“(…) Conductor Felix Krieger led an electrifying account of Ullmann´s score. A gripping performance.”
Opera lively
G. Verdi : I Masnadieri, Berliner Operngruppe, Konzerthaus Berlin, February 2014
Calendar
UPCOMING
ARCHIVE
Jun 2023
24/06/2023 19:30
“Die lustigen Weiber von Windsor”
Otto Nicolai: Die lustigen Weiber von Windsor
Chor der Berliner Operngruppe
Brandenburger Symphoniker
@ Brandenburger Theater link
23/06/2023 19:30
“Die lustigen Weiber von Windsor”
Otto Nicolai: Die lustigen Weiber von Windsor
Chor der Berliner Operngruppe
Brandenburger Symphoniker
@ Brandenburger Theater link
May 2023
14/05/2023 19:00
WORLDPREMIERE: Gaeatano Donizetti – DALINDA
G. Donizetti: Dalinda (worldpremiere)
Semi-scenic performance
Chor und Orchester der Berliner Operngruppe
Konzerthaus Berlin
Feb 2023
25/02/2023 17:00
Benefizkonzert “Junge Klassik”
Benefizkonzert “Junge Klassik” für die Deutsche Rheuma-Liga
u.a. Werke von J. S. Bach und E. Grieg
Kammerorchester des Julius-Stern-Instituts der UDK Berlin
@ Konzertsaal der UDK Berlin Link
Dec 2022
31/12/2022 22:00
Silvesterkonzert “Träume”
Richard Wagner: Wesendonck Lieder
(Corby Welch, Tenor)
Richard Wagner. Tristan und Isolde – Vorspiel und Liebestod
(Hannah Medlam, Sopran)
Ludwig v. Beethoven: 7. Symphonie
Neues Kammerorchester Potsdam
Erlöserkirche Potsdam
04/12/2022 17:00
“Ariadne auf Naxos”
Richard Strauss: Ariadne auf Naxos ( 2nd Version, 1916 )
Orchestra of the Theatro São Pedro
@ Theatro São Pedro, São Paulo link
02/12/2022 20:00
“Ariadne auf Naxos”
Richard Strauss: Ariadne auf Naxos ( 2nd Version, 1916 )
Orchestra of the Theatro São Pedro
@ Theatro São Pedro, São Paulo link
Nov 2022
30/11/2022 20:00
“Ariadne auf Naxos”
Richard Strauss: Ariadne auf Naxos ( 2nd Version, 1916 )
Orchestra of the Theatro São Pedro
@ Theatro São Pedro, São Paulo link
27/11/2022 17:00
“Ariadne auf Naxos”
Richard Strauss: Ariadne auf Naxos ( 2nd Version, 1916 )
Orchestra of the Theatro São Pedro
@ Theatro São Pedro, São Paulo link
25/11/2022 20:00
“Ariadne auf Naxos”
Richard Strauss: Ariadne auf Naxos ( 2nd Version, 1916 )
Orchestra of the Theatro São Pedro
@ Theatro São Pedro, São Paulo link
23/11/2022 20:00
“Ariadne auf Naxos”
Richard Strauss: Ariadne auf Naxos ( 2nd Version, 1916 )
Orchestra of the Theatro São Pedro
@ Theatro São Pedro, São Paulo link
20/11/2022 20:00
“Ariadne auf Naxos”
Richard Strauss: Ariadne auf Naxos ( 2nd Version, 1916 )
Orchestra of the Theatro São Pedro
@ Theatro São Pedro, São Paulo link
18/11/2022 20:00
Premiere “Ariadne auf Naxos”
Richard Strauss: Ariadne auf Naxos ( 2nd Version, 1916 )
Orchestra of the Theatro São Pedro
@ Theatro São Pedro, São Paulo link
Oct 2022
02/10/2022 17:00
“Die lustigen Weiber von Windsor”
Otto Nicolai: Die lustigen Weiber von Windsor
Chor der Berliner Operngruppe
Brandenburger Symphoniker
@ Brandenburger Theater link
01/10/2022 19:00
“Die lustigen Weiber von Windsor”
Otto Nicolai: Die lustigen Weiber von Windsor
Chor der Berliner Operngruppe
Brandenburger Symphoniker
@ Brandenburger Theater link
Sep 2022
25/09/2022 17:00
“Die lustigen Weiber von Windsor”
Otto Nicolai: Die lustigen Weiber von Windsor
Chor der Berliner Operngruppe
Brandenburger Symphoniker
@ Brandenburger Theater link
23/09/2022 19:00
Premiere “Die lustigen Weiber von Windsor”
Otto Nicolai: Die lustigen Weiber von Windsor
Chor der Berliner Operngruppe
Brandenburger Symphoniker
@ Brandenburger Theater link
Jun 2022
13/06/2022 19:30
“Zanetto” & “Il segreto di Susanna”
Pietro Mascagni: Zanetto
Ermanno Wolf-Ferrari: Il segreto di Susanna
Semiszenische Aufführung
Chor und Orchester der Berliner Operngruppe
@ Konzerthaus Berlin | Link
Nov 2021
02/11/2021 21:00
Konzert mit dem Ensemble UnitedBerlin – Konzerthaus Berlin
Felix Krieger dirigiert erstmals in Deutschland seine in den letzten Jahren entstandenen Kompositionen für Kammerensemble:
Cantus I – Zwischen den Welten (2015) – deutsche Erstaufführung
Cantus II – ” … durch alle Lüfte bricht” (2017) – deutsche Erstaufführung
Cantus III – Íthymbus (2020) – Uraufführung
ensemble unitedberlin
@ Konzerthaus am Gendarmenmarkt
Link
Sep 2021
01/09/2021 19:30
G. Donizetti: DEUX HOMMES ET UNE FEMME (German premiere)
G. Donizetti: Deux hommes et une femme (Rita)
Semi-scenic performance
Orchestra of the Berliner Operngruppe
@ Konzerthaus am Gendarmenmarkt | Link
Jul 2021
18/07/2021 20:00
Mozart Galakonzert – Brunnenhof der Residenz
W. A. Mozart:
Konzert KV 622 für Klarinette und Orchester
Solist: Georg Arzberger, Klarinette
Konzert KV 495 für Horn und Orchester
Solist: Tilmann Höfs, Horn
A-Dur Sinfonie Nr. 29, KV 201
EUROPAMUSICALE Festival Orchester
München, Brunnenhof der Residenz (Open Air)
Veranstalter: “Musikerlebnis – eine Marke der Tonicale Musik & Event GmbH”
Dec 2020
17/12/2020 19:30
Fidelio CANCELLED
L. v. Beethoven: Fidelio
Orchestra and Choir of the Teatro de Bellas Artes
@Palacio de Bellas Artes Mexico City, Mexico | Link
15/12/2020 19:30
Fidelio CANCELLED
L. v. Beethoven: Fidelio
Orchestra and Choir of the Teatro de Bellas Artes
@Palacio de Bellas Artes Mexico City, Mexico | Link
13/12/2020 19:30
Fidelio CANCELLED
L. v. Beethoven: Fidelio
Orchestra and Choir of the Teatro de Bellas Artes
@Palacio de Bellas Artes Mexico City, Mexico | Link
10/12/2020 19:30
Premiere – Fidelio CANCELLED
L. v. Beethoven: Fidelio
Orchestra and Choir of the Teatro de Bellas Artes
@Palacio de Bellas Artes Mexico City, Mexico | Link
Nov 2020
06/11/2020 19:00
Worldpremiere at 53. Festival Música Nova “Gilberto Mendes”
Felix Krieger: “Oh Luft, Du edles Element, führ´ hin mein Liedlein behend” (Knaben Wunderhorn)
Duo for alto flute and doublebass (2020)
Soloists:
Sarah Hornsby – alto flute
Pedro Gadelha – double bass
Online edition of the Festival due to the Covid-crisis
watch via: www.youtube.com/uspfilarmonica
Aug 2020
16/08/2020 17:00
“Ariadne auf Naxos” CANCELLED
Richard Strauss: Ariadne auf Naxos ( 2nd Version, 1916)
orchestra of the Theatro São Pedro
@ Theatro São Pedro, São Paulo link
14/08/2020 20:00
“Ariadne auf Naxos” CANCELLED
Richard Strauss: Ariadne auf Naxos ( 2nd Version, 1916)
orchestra of the Theatro São Pedro
@ Theatro São Pedro, São Paulo link
12/08/2020 20:00
“Ariadne auf Naxos” CANCELLED
Richard Strauss: Ariadne auf Naxos ( 2nd Version, 1916)
orchestra of the Theatro São Pedro
@ Theatro São Pedro, São Paulo link
09/08/2020 17:00
“Ariadne auf Naxos” CANCELLED
Richard Strauss: Ariadne auf Naxos ( 2nd Version, 1916)
orchestra of the Theatro São Pedro
@ Theatro São Pedro, São Paulo link
07/08/2020 20:00
“Ariadne auf Naxos” CANCELLED
Richard Strauss: Ariadne auf Naxos ( 2nd Version, 1916)
orchestra of the Theatro São Pedro
@ Theatro São Pedro, São Paulo link
05/08/2020 20:00
“Ariadne auf Naxos” CANCELLED
Richard Strauss: Ariadne auf Naxos ( 2nd Version, 1916)
orchestra of the Theatro São Pedro
@ Theatro São Pedro, São Paulo link
02/08/2020 17:00
“Ariadne auf Naxos” CANCELLED
Richard Strauss: Ariadne auf Naxos ( 2nd Version, 1916)
orchestra of the Theatro São Pedro
@ Theatro São Pedro, São Paulo link
Jul 2020
31/07/2020 20:00
Premiere “Ariadne auf Naxos” CANCELLED
Richard Strauss: Ariadne auf Naxos ( 2nd Version, 1916)
orchestra of the Theatro São Pedro
@ Theatro São Pedro, São Paulo link
Jun 2020
27/06/2020 20:00
Mozart Galakonzert – Eröffnung des Münchener Musiksommer 2020 CANCELLED
W. A. Mozart:
Konzert KV 622 für Klarinette und Orchester
Konzert KV 495 für Horn und Orchester
Konzert KV 191 für Fagott und Orchester
A-Dur Sinfonie Nr. 29, KV 201
EUROPAMUSICALE Festival Orchester
München, Brunnenhof der Residenz / Herkulessaal
May 2020
03/05/2020 19:00
“The Magic Flute” CANCELLED
W. A. Mozart: Die Zauberflöte
Staatskapelle Dresden
Sächsischer Staatsopernchor Dresden
@ Semperoper Dresden | Link
03/05/2020 14:00
“The Magic Flute” CANCELLED
W. A. Mozart: Die Zauberflöte
Staatskapelle Dresden
Sächsischer Staatsopernchor Dresden
@ Semperoper Dresden | Link
Dec 2019
07/12/2019 19:00
“The Magic Flute”
W. A. Mozart: Die Zauberflöte
Staatskapelle Dresden
Sächsischer Staatsopernchor Dresden
@ Semperoper Dresden | Link
Nov 2019
30/11/2019 19:00
“The Magic Flute”
W. A. Mozart: Die Zauberflöte
Staatskapelle Dresden
Sächsischer Staatsopernchor Dresden
@ Semperoper Dresden | Link
30/11/2019 14:00
“The Magic Flute”
W. A. Mozart: Die Zauberflöte
Staatskapelle Dresden
Sächsischer Staatsopernchor Dresden
@ Semperoper Dresden | Link
15/11/2019 20:00
Konzert in der Residenz, Allerheiligen-Hofkirche, München
Finale August Everding Wettbewerb 2019 (Violine)
W.A. Mozart: Violinkonzerte KV 216, KV 218 und KV 219
Finalisten des Wettbewerbs
Bach Collegium München
Jun 2019
06/06/2019 19:00
W.A. Mozart: Die Zauberflöte
Sächsischer Staatsopernchor
Staatskapelle Dresden
@ Semperoper Dresden | Link
May 2019
05/05/2019 17:00
W.A. Mozart: La Clemenza di Tito
Choir and Orchestra of the Theatro São Pedro
@ Theatro São Pedro, São Paulo | Link
03/05/2019 20:00
W.A. Mozart: La Clemenza di Tito
Choir and Orchestra of the Theatro São Pedro
@ Theatro São Pedro, São Paulo| Link
01/05/2019 20:00
W.A. Mozart: La Clemenza di Tito
Choir and Orchestra of the Theatro São Pedro
@ Theatro São Pedro, São Paulo | Link
Apr 2019
28/04/2019 17:00
W.A. Mozart: La Clemenza di Tito
Choir and Orchestra of the Theatro São Pedro
@ Theatro São Pedro, São Paulo| Link
26/04/2019 20:00
Premiere: W.A. Mozart: La Clemenza di Tito
Choir and Orchestra of the Theatro São Pedro
@ Theatro São Pedro, São Paulo | Link
Mar 2019
31/03/2019 19:00
“The Magic Flute”
W. A. Mozart: Die Zauberflöte
Staatskapelle Dresden
Sächsischer Staatsopernchor Dresden
@ Semperoper Dresden | Link
31/03/2019 14:00
“The Magic Flute”
W. A. Mozart: Die Zauberflöte
Staatskapelle Dresden
Sächsischer Staatsopernchor Dresden
@ Semperoper Dresden | Link
30/03/2019 19:00
“The Magic Flute”
W. A. Mozart: Die Zauberflöte
Staatskapelle Dresden
Sächsischer Staatsopernchor Dresden
@ Semperoper Dresden | Link
28/03/2019 19:00
“The Magic Flute”
W. A. Mozart: Die Zauberflöte
Staatskapelle Dresden
Sächsischer Staatsopernchor Dresden
@ Semperoper Dresden | Link
Feb 2019
04/02/2019 19:30
G. Puccini: EDGAR (Berlin Premiere)
G. Puccini: EDGAR (last version of 1905 in 3 acts)
Semi-scenic performance
Choir and Orchestra of the Berliner Operngruppe
@ Konzerthaus am Gendarmenmarkt | Link
Jan 2019
19/01/2019 20:00 - 22:00
Gala Concert at 35. International Music Festival Alfonso Ortiz Tirado
Medal Alfonso Ortiz Tirado 2019 for Soprano Maria Katzarava
Orquesta Filarmónica de Sonora
Palacio Municipal, Alamos
www.festivalortiztirado.gob.mx
04/01/2019 19:00
“The Magic Flute”
W. A. Mozart: Die Zauberflöte
Staatskapelle Dresden
Sächsischer Staatsopernchor Dresden
@ Semperoper Dresden | Link
Dec 2018
03/12/2018 19:00
“The Magic Flute”
W. A. Mozart: Die Zauberflöte
Staatskapelle Dresden
Sächsischer Staatsopernchor Dresden
@ Semperoper Dresden | Link
Oct 2018
07/10/2018
“Stiffelio”
G. Verdi: Stiffelio
Orchestra and Choir of the Teatro de Bellas Artes
@Palacio de Bellas Artes, Mexico City | Link
04/10/2018
“Stiffelio” (Latin American Premiere)
G. Verdi: Stiffelio
Orchestra and Choir of the Teatro de Bellas Artes
@Palacio de Bellas Artes Mexico City, Mexico | Link
Sep 2018
16/09/2018 17:00
“Don Carlo”
G. Verdi: Don Carlo
Daegu International Opera Orchestra und Metropolitan Opera Chorus
@ Daegu Opera House, Daegu, South Korea | Link
14/09/2018 19:30
16. Daegu International Opera Festival: Opening Premiere
G. Verdi: Don Carlo
Daegu International Opera Orchestra und Metropolitan Opera Chorus
@ Daegu Opera House, Daegu, South Korea | Link
Calendar
ARCHIVE
Jun 2023
24/06/2023 19:30
“Die lustigen Weiber von Windsor”
Otto Nicolai: Die lustigen Weiber von Windsor
Chor der Berliner Operngruppe
Brandenburger Symphoniker
@ Brandenburger Theater link
23/06/2023 19:30
“Die lustigen Weiber von Windsor”
Otto Nicolai: Die lustigen Weiber von Windsor
Chor der Berliner Operngruppe
Brandenburger Symphoniker
@ Brandenburger Theater link
May 2023
14/05/2023 19:00
WORLDPREMIERE: Gaeatano Donizetti – DALINDA
G. Donizetti: Dalinda (worldpremiere)
Semi-scenic performance
Chor und Orchester der Berliner Operngruppe
Konzerthaus Berlin
Feb 2023
25/02/2023 17:00
Benefizkonzert “Junge Klassik”
Benefizkonzert “Junge Klassik” für die Deutsche Rheuma-Liga
u.a. Werke von J. S. Bach und E. Grieg
Kammerorchester des Julius-Stern-Instituts der UDK Berlin
@ Konzertsaal der UDK Berlin Link
Dec 2022
31/12/2022 22:00
Silvesterkonzert “Träume”
Richard Wagner: Wesendonck Lieder
(Corby Welch, Tenor)
Richard Wagner. Tristan und Isolde – Vorspiel und Liebestod
(Hannah Medlam, Sopran)
Ludwig v. Beethoven: 7. Symphonie
Neues Kammerorchester Potsdam
Erlöserkirche Potsdam
04/12/2022 17:00
“Ariadne auf Naxos”
Richard Strauss: Ariadne auf Naxos ( 2nd Version, 1916 )
Orchestra of the Theatro São Pedro
@ Theatro São Pedro, São Paulo link
02/12/2022 20:00
“Ariadne auf Naxos”
Richard Strauss: Ariadne auf Naxos ( 2nd Version, 1916 )
Orchestra of the Theatro São Pedro
@ Theatro São Pedro, São Paulo link
Nov 2022
30/11/2022 20:00
“Ariadne auf Naxos”
Richard Strauss: Ariadne auf Naxos ( 2nd Version, 1916 )
Orchestra of the Theatro São Pedro
@ Theatro São Pedro, São Paulo link
27/11/2022 17:00
“Ariadne auf Naxos”
Richard Strauss: Ariadne auf Naxos ( 2nd Version, 1916 )
Orchestra of the Theatro São Pedro
@ Theatro São Pedro, São Paulo link
25/11/2022 20:00
“Ariadne auf Naxos”
Richard Strauss: Ariadne auf Naxos ( 2nd Version, 1916 )
Orchestra of the Theatro São Pedro
@ Theatro São Pedro, São Paulo link
23/11/2022 20:00
“Ariadne auf Naxos”
Richard Strauss: Ariadne auf Naxos ( 2nd Version, 1916 )
Orchestra of the Theatro São Pedro
@ Theatro São Pedro, São Paulo link
20/11/2022 20:00
“Ariadne auf Naxos”
Richard Strauss: Ariadne auf Naxos ( 2nd Version, 1916 )
Orchestra of the Theatro São Pedro
@ Theatro São Pedro, São Paulo link
18/11/2022 20:00
Premiere “Ariadne auf Naxos”
Richard Strauss: Ariadne auf Naxos ( 2nd Version, 1916 )
Orchestra of the Theatro São Pedro
@ Theatro São Pedro, São Paulo link
Oct 2022
02/10/2022 17:00
“Die lustigen Weiber von Windsor”
Otto Nicolai: Die lustigen Weiber von Windsor
Chor der Berliner Operngruppe
Brandenburger Symphoniker
@ Brandenburger Theater link
01/10/2022 19:00
“Die lustigen Weiber von Windsor”
Otto Nicolai: Die lustigen Weiber von Windsor
Chor der Berliner Operngruppe
Brandenburger Symphoniker
@ Brandenburger Theater link
Sep 2022
25/09/2022 17:00
“Die lustigen Weiber von Windsor”
Otto Nicolai: Die lustigen Weiber von Windsor
Chor der Berliner Operngruppe
Brandenburger Symphoniker
@ Brandenburger Theater link
23/09/2022 19:00
Premiere “Die lustigen Weiber von Windsor”
Otto Nicolai: Die lustigen Weiber von Windsor
Chor der Berliner Operngruppe
Brandenburger Symphoniker
@ Brandenburger Theater link
Jun 2022
13/06/2022 19:30
“Zanetto” & “Il segreto di Susanna”
Pietro Mascagni: Zanetto
Ermanno Wolf-Ferrari: Il segreto di Susanna
Semiszenische Aufführung
Chor und Orchester der Berliner Operngruppe
@ Konzerthaus Berlin | Link
Nov 2021
02/11/2021 21:00
Konzert mit dem Ensemble UnitedBerlin – Konzerthaus Berlin
Felix Krieger dirigiert erstmals in Deutschland seine in den letzten Jahren entstandenen Kompositionen für Kammerensemble:
Cantus I – Zwischen den Welten (2015) – deutsche Erstaufführung
Cantus II – ” … durch alle Lüfte bricht” (2017) – deutsche Erstaufführung
Cantus III – Íthymbus (2020) – Uraufführung
ensemble unitedberlin
@ Konzerthaus am Gendarmenmarkt
Link
Sep 2021
01/09/2021 19:30
G. Donizetti: DEUX HOMMES ET UNE FEMME (German premiere)
G. Donizetti: Deux hommes et une femme (Rita)
Semi-scenic performance
Orchestra of the Berliner Operngruppe
@ Konzerthaus am Gendarmenmarkt | Link
Jul 2021
18/07/2021 20:00
Mozart Galakonzert – Brunnenhof der Residenz
W. A. Mozart:
Konzert KV 622 für Klarinette und Orchester
Solist: Georg Arzberger, Klarinette
Konzert KV 495 für Horn und Orchester
Solist: Tilmann Höfs, Horn
A-Dur Sinfonie Nr. 29, KV 201
EUROPAMUSICALE Festival Orchester
München, Brunnenhof der Residenz (Open Air)
Veranstalter: “Musikerlebnis – eine Marke der Tonicale Musik & Event GmbH”
Dec 2020
17/12/2020 19:30
Fidelio CANCELLED
L. v. Beethoven: Fidelio
Orchestra and Choir of the Teatro de Bellas Artes
@Palacio de Bellas Artes Mexico City, Mexico | Link
15/12/2020 19:30
Fidelio CANCELLED
L. v. Beethoven: Fidelio
Orchestra and Choir of the Teatro de Bellas Artes
@Palacio de Bellas Artes Mexico City, Mexico | Link
13/12/2020 19:30
Fidelio CANCELLED
L. v. Beethoven: Fidelio
Orchestra and Choir of the Teatro de Bellas Artes
@Palacio de Bellas Artes Mexico City, Mexico | Link
10/12/2020 19:30
Premiere – Fidelio CANCELLED
L. v. Beethoven: Fidelio
Orchestra and Choir of the Teatro de Bellas Artes
@Palacio de Bellas Artes Mexico City, Mexico | Link
Nov 2020
06/11/2020 19:00
Worldpremiere at 53. Festival Música Nova “Gilberto Mendes”
Felix Krieger: “Oh Luft, Du edles Element, führ´ hin mein Liedlein behend” (Knaben Wunderhorn)
Duo for alto flute and doublebass (2020)
Soloists:
Sarah Hornsby – alto flute
Pedro Gadelha – double bass
Online edition of the Festival due to the Covid-crisis
watch via: www.youtube.com/uspfilarmonica
Aug 2020
16/08/2020 17:00
“Ariadne auf Naxos” CANCELLED
Richard Strauss: Ariadne auf Naxos ( 2nd Version, 1916)
orchestra of the Theatro São Pedro
@ Theatro São Pedro, São Paulo link
14/08/2020 20:00
“Ariadne auf Naxos” CANCELLED
Richard Strauss: Ariadne auf Naxos ( 2nd Version, 1916)
orchestra of the Theatro São Pedro
@ Theatro São Pedro, São Paulo link
12/08/2020 20:00
“Ariadne auf Naxos” CANCELLED
Richard Strauss: Ariadne auf Naxos ( 2nd Version, 1916)
orchestra of the Theatro São Pedro
@ Theatro São Pedro, São Paulo link
09/08/2020 17:00
“Ariadne auf Naxos” CANCELLED
Richard Strauss: Ariadne auf Naxos ( 2nd Version, 1916)
orchestra of the Theatro São Pedro
@ Theatro São Pedro, São Paulo link
07/08/2020 20:00
“Ariadne auf Naxos” CANCELLED
Richard Strauss: Ariadne auf Naxos ( 2nd Version, 1916)
orchestra of the Theatro São Pedro
@ Theatro São Pedro, São Paulo link
05/08/2020 20:00
“Ariadne auf Naxos” CANCELLED
Richard Strauss: Ariadne auf Naxos ( 2nd Version, 1916)
orchestra of the Theatro São Pedro
@ Theatro São Pedro, São Paulo link
02/08/2020 17:00
“Ariadne auf Naxos” CANCELLED
Richard Strauss: Ariadne auf Naxos ( 2nd Version, 1916)
orchestra of the Theatro São Pedro
@ Theatro São Pedro, São Paulo link
Jul 2020
31/07/2020 20:00
Premiere “Ariadne auf Naxos” CANCELLED
Richard Strauss: Ariadne auf Naxos ( 2nd Version, 1916)
orchestra of the Theatro São Pedro
@ Theatro São Pedro, São Paulo link
Jun 2020
27/06/2020 20:00
Mozart Galakonzert – Eröffnung des Münchener Musiksommer 2020 CANCELLED
W. A. Mozart:
Konzert KV 622 für Klarinette und Orchester
Konzert KV 495 für Horn und Orchester
Konzert KV 191 für Fagott und Orchester
A-Dur Sinfonie Nr. 29, KV 201
EUROPAMUSICALE Festival Orchester
München, Brunnenhof der Residenz / Herkulessaal
May 2020
03/05/2020 19:00
“The Magic Flute” CANCELLED
W. A. Mozart: Die Zauberflöte
Staatskapelle Dresden
Sächsischer Staatsopernchor Dresden
@ Semperoper Dresden | Link
03/05/2020 14:00
“The Magic Flute” CANCELLED
W. A. Mozart: Die Zauberflöte
Staatskapelle Dresden
Sächsischer Staatsopernchor Dresden
@ Semperoper Dresden | Link
Dec 2019
07/12/2019 19:00
“The Magic Flute”
W. A. Mozart: Die Zauberflöte
Staatskapelle Dresden
Sächsischer Staatsopernchor Dresden
@ Semperoper Dresden | Link
Nov 2019
30/11/2019 19:00
“The Magic Flute”
W. A. Mozart: Die Zauberflöte
Staatskapelle Dresden
Sächsischer Staatsopernchor Dresden
@ Semperoper Dresden | Link
30/11/2019 14:00
“The Magic Flute”
W. A. Mozart: Die Zauberflöte
Staatskapelle Dresden
Sächsischer Staatsopernchor Dresden
@ Semperoper Dresden | Link
15/11/2019 20:00
Konzert in der Residenz, Allerheiligen-Hofkirche, München
Finale August Everding Wettbewerb 2019 (Violine)
W.A. Mozart: Violinkonzerte KV 216, KV 218 und KV 219
Finalisten des Wettbewerbs
Bach Collegium München
Jun 2019
06/06/2019 19:00
W.A. Mozart: Die Zauberflöte
Sächsischer Staatsopernchor
Staatskapelle Dresden
@ Semperoper Dresden | Link
May 2019
05/05/2019 17:00
W.A. Mozart: La Clemenza di Tito
Choir and Orchestra of the Theatro São Pedro
@ Theatro São Pedro, São Paulo | Link
03/05/2019 20:00
W.A. Mozart: La Clemenza di Tito
Choir and Orchestra of the Theatro São Pedro
@ Theatro São Pedro, São Paulo| Link
01/05/2019 20:00
W.A. Mozart: La Clemenza di Tito
Choir and Orchestra of the Theatro São Pedro
@ Theatro São Pedro, São Paulo | Link
Apr 2019
28/04/2019 17:00
W.A. Mozart: La Clemenza di Tito
Choir and Orchestra of the Theatro São Pedro
@ Theatro São Pedro, São Paulo| Link
26/04/2019 20:00
Premiere: W.A. Mozart: La Clemenza di Tito
Choir and Orchestra of the Theatro São Pedro
@ Theatro São Pedro, São Paulo | Link
Mar 2019
31/03/2019 19:00
“The Magic Flute”
W. A. Mozart: Die Zauberflöte
Staatskapelle Dresden
Sächsischer Staatsopernchor Dresden
@ Semperoper Dresden | Link
31/03/2019 14:00
“The Magic Flute”
W. A. Mozart: Die Zauberflöte
Staatskapelle Dresden
Sächsischer Staatsopernchor Dresden
@ Semperoper Dresden | Link
30/03/2019 19:00
“The Magic Flute”
W. A. Mozart: Die Zauberflöte
Staatskapelle Dresden
Sächsischer Staatsopernchor Dresden
@ Semperoper Dresden | Link
28/03/2019 19:00
“The Magic Flute”
W. A. Mozart: Die Zauberflöte
Staatskapelle Dresden
Sächsischer Staatsopernchor Dresden
@ Semperoper Dresden | Link
Feb 2019
04/02/2019 19:30
G. Puccini: EDGAR (Berlin Premiere)
G. Puccini: EDGAR (last version of 1905 in 3 acts)
Semi-scenic performance
Choir and Orchestra of the Berliner Operngruppe
@ Konzerthaus am Gendarmenmarkt | Link
Jan 2019
19/01/2019 20:00 - 22:00
Gala Concert at 35. International Music Festival Alfonso Ortiz Tirado
Medal Alfonso Ortiz Tirado 2019 for Soprano Maria Katzarava
Orquesta Filarmónica de Sonora
Palacio Municipal, Alamos
www.festivalortiztirado.gob.mx
04/01/2019 19:00
“The Magic Flute”
W. A. Mozart: Die Zauberflöte
Staatskapelle Dresden
Sächsischer Staatsopernchor Dresden
@ Semperoper Dresden | Link
Dec 2018
03/12/2018 19:00
“The Magic Flute”
W. A. Mozart: Die Zauberflöte
Staatskapelle Dresden
Sächsischer Staatsopernchor Dresden
@ Semperoper Dresden | Link
Oct 2018
07/10/2018
“Stiffelio”
G. Verdi: Stiffelio
Orchestra and Choir of the Teatro de Bellas Artes
@Palacio de Bellas Artes, Mexico City | Link
04/10/2018
“Stiffelio” (Latin American Premiere)
G. Verdi: Stiffelio
Orchestra and Choir of the Teatro de Bellas Artes
@Palacio de Bellas Artes Mexico City, Mexico | Link
Sep 2018
16/09/2018 17:00
“Don Carlo”
G. Verdi: Don Carlo
Daegu International Opera Orchestra und Metropolitan Opera Chorus
@ Daegu Opera House, Daegu, South Korea | Link
14/09/2018 19:30
16. Daegu International Opera Festival: Opening Premiere
G. Verdi: Don Carlo
Daegu International Opera Orchestra und Metropolitan Opera Chorus
@ Daegu Opera House, Daegu, South Korea | Link
Media
Media
Trailer of the Berlin Premiere, Verdi: “Stiffelio”
Trailer of the Berlin Premiere, Puccini “Edgar” (February 2019)
Contact
GENERAL MANAGEMENT
FELSNER ARTISTS GmbH
Maximilianstrasse 2
80539 München, Germany
Dr. Marcus Felsner
+49 89 20 500 85624 | marcus@felsnerartists.com
http://www.felsnerartists.com
AART MUSIC Srl
Via Rivani 5
40138 Bologna, Italy
Alessandro Tumscitz
+39 334 1858734 | tumscitz@aartmusic.it
www.aartmusic.it
Contact
FELSNER ARTISTS GmbH
Maximilianstrasse 2
80539 München, Germany
Dr. Marcus Felsner
+49 89 20 500 85624 | marcus@felsnerartists.com
http://www.felsnerartists.com
AART MUSIC Srl
Via Rivani 5
40138 Bologna, Italy
Alessandro Tumscitz
+39 334 1858734 | tumscitz@aartmusic.it
www.aartmusic.it